(CZ) Grafická designérka a typografka. Ve své praxi na volné noze se zaměřuji na detailní práci s typografií propojenou s experimentem v grafickém designu. Jsem absolventkou magisterského programu Ateliéru tvorby písma a typografie na UMPRUM v Praze. Zkušenosti jsem získala také na KASK & Conservatorium v Gentu v Belgii a UdK Berlin v Německu.

(EN) I’m a graphic and type designer. My freelance practice focuses on detailed typographic work intertwined with experimentation in graphic design. I’m an alumna of the Master’s programme at the Type Design and Typography Studio, UMPRUM Prague, with experiences from KASK & Conservatorium in Ghent, Belgium and UdK Berlin, Germany.

Selected clients and collaborators
AllCaps Type, AMU Gallery, superlative.works, Jasna Studio, MIKE ROFT, Supernova Bakehouse, teige, Tereza Hrabini, Prague Institute of Planning and Development, Arthouse Hejtmánek, Hana Vopravilová, Žofia Fodorová, Julie Dítětová, Šimon Vlasák, Barbora Žentelová

Prague, Czech Republic 
necaskovapavla@gmail.com 
Open for work

Specimen of typeface Linea Book, Italic, Cursive as my Diploma project at studio of Type Design and Typography at UMPRUM Prague, A6, offset turqoise + digital offset, photo Barbora Žentelová, 2026

Exhibition design for typeface Linea Book, Italic, Cursive as my Diploma project at studio of Type Design and Typography at UMPRUM Prague, offset turqoise + digital offset, photo Barbora Žentelová, 2026

Specimens of typeface Linea Book, Italic, Cursive as my Diploma project at studio of Type Design and Typography at UMPRUM Prague, A4, offset turqoise + digital offset, photo Barbora Žentelová, 2026

Specimen of typeface Linea Book, Italic, Cursive as my Diploma project at studio of Type Design and Typography at UMPRUM Prague, A3, offset turqoise + digital offset, photo Barbora Žentelová, 2026

Exhibition design for typeface Linea Book, Italic, Cursive as my Diploma project at studio of Type Design and Typography at UMPRUM Prague, A4, digital offset, photo Barbora Žentelová, 2026

Poster for exhibition Klauzury FAMU, Gallery AMU Prague, A3, digital print, photo Eliška Klimešová, 2026

Booklet for exhibition Klauzury FAMU, Gallery AMU Prague, A3, digital print, photo Eliška Klimešová, 2026

Poster for exhibition Doktorandi AMU: Alžběta Trojanová, Marcel Stecker, Gallery AMU Prague, A1, 2026

Booklet for exhibition Doktorandi AMU: Alžběta Trojanová, Marcel Stecker, Gallery AMU Prague, A3, digital print, photo Irina Degtereva, 2026

Poster for exhibition Jan Kolský: Pohyblivé části/Moving parts w/ Space for Relational Research, Gallery AMU Prague, A1, 2026

Visuals for exhibition Jan Kolský: Pohyblivé části/Moving parts w/ Space for Relational Research, Gallery AMU Prague, vinyl, photo Eliška Klimešová, 2026

Booklet for exhibition Jan Kolský: Pohyblivé části/Moving parts w/ Space for Relational Research, Gallery AMU Prague, A3, digital print, photo Eliška Klimešová, 2026

Graphic design of title sequence for the artist Tereza Hrabini and her music video Králova impéria, typeface Polia in use for the credits, 2026

Typeface Polia & Input 1.0 in use for Libretto of the International belles lettres of Art faber. The book was presented at Sorbonne University in Paris by the collective, design by Salomé Macquet, 2025

Typeface Polia & Input 1.0 in use for Libretto of the International belles lettres of Art faber, presented dedicated to Annie Ernaux, winner of the Nobel Prize in Literature, in recognition of her work, design by Salomé Macquet, offset print, 2025

Poster for exhibition Neviditelné město/Invisible City at Gallery AMU Prague, collaboration Žofia Fodorová, 2025 (unused)

Lettering for exhibition Mirror for Proteus at Gallery AMU Prague, 2025 (unused)

Cover of booklet for exhibition Mirror for Proteus at Gallery AMU Prague, 2025 (unused)

To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, A3 posters, 2025

To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, socials promo, 2025

To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, A4 exhibition guide, 2025

To read it again, think about it, to read it aloud exhibition visuals for KASK Graphic design studio (Gent, Belgium), collaboration: Jonas Borinski, A6 invitation, 2025

MY TASTES HAVE ORIGINATED (ROUGHLY) SEVEN HUNDRED YEARS AGO reader as a part of my final semestral project at KASK Graphic design, all my typefaces in use, 2025

Cover of MY TASTES HAVE ORIGINATED (ROUGHLY) SEVEN HUNDRED YEARS AGO reader as a part of my final semestral project at KASK Graphic design, all my typefaces in use, 2025

MY TASTES HAVE ORIGINATED (ROUGHLY) SEVEN HUNDRED YEARS AGO reader as a part of my final semestral project at KASK Graphic design, all my typefaces in use, 2025

Cover of annotated collective reader To read it again, think about it, to read it aloud designed with the class of KASK Graphic design (Gent, Belgium), my section and spreds span within 16 pages and are designed, annotated texts by Hito Steyerl & Fernard Baudin, 2025

Annotated collective reader To read it again, think about it, to read it aloud designed with the class of KASK Graphic design (Gent, Belgium), my section and spreds span within 16 pages and are designed, annotated texts by Hito Steyerl & Fernard Baudin, 2025

Visual identity for a Czech conceptual glass designer Hana Vopravilová, Designblok 2025 campaign, photo Šimon Roubal

Visual identity for a Czech conceptual glass designer Hana Vopravilová, Designblok 2025 campaign

Visual identity for a Czech conceptual glass designer Hana Vopravilová, Designblok 2025 campaign, business cards, digital offset

Visual identity for a Czech conceptual glass designer Hana Vopravilová, Designblok 2025 campaign, A3

Photo zine within the visual identity for a Czech conceptual glass designer Hana Vopravilová, Designblok 2025 campa, A3, digital offset, photos Šimon Roubal

Cover illustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan Brož, offset printed, 2025

Illustration for CEDIT Magazine of experimental theater in Brno on the topic of Infrastructures, design and art direction: Jan Brož, offset printed, 2025

Lettering and graphic design for small music festival ZMAR, organised by Martin Dedek, illustrations Lucie Lučanská, 2025

Artwork for Ankali & Planeta Za club in Prague, 2024

Pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024

Exhibition of the pseudo-scientific catalogue and typefaces from Transformation of Type Design, Bachelor project, 2024

Typeface detail from pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024

Typefaces overview from pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024

Pseudo-scientific catalogue Transformation of Type Design, Bachelor project, 2024

Photo zine Led (Ice). Collaboration with Barbora Žentelová for her diploma project, typeface in use: Týpa, Hólmfríður Benediktsdóttir, A3, digital offset, 2024

Graphic design for exhibition Mystika vědění at Gallery AMU, collaboration Žofia Fodorová, A1, 2024

Lettering for exhibition Post Hearing, Post Listening at Gallery AMU in Prague, 2024

Lettering elements for notography editions of a library of sheet music for the NAMU publishing house, silver digital print, 2024

Notography editions design of a library of sheet music for the NAMU publishing house, A4, silver digital print, 2024

Campaign for MIKE ROFT Fest, 1st edition of music festival in Brno, collaboration Šimon Vlasák, 2024

Visuals for Laurenz Brunner lecture at UMPRUM Prague, typeface Walbert in use, B1 silkscreen print, 2024

Visuals for Laurenz Brunner lecture at UMPRUM Prague, typeface Walbert in use, 2024

Campaign for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, 2023

Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023

Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023.

Booklet for the CONTROL Degree show of the Master of Fine Arts at ZHdK, Zurich, collaboration with Julie Dítětová, A4 RISO printed, 2023

Poster for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, 2023

Booklet for exhibition O the hoe, the hoe, the hoe for Gallery AMU in Prague, collaboration Šimon Vlasák, A4 RISO printed, 2023

Lettering sketch for exhibition Sběračství at Gallery AMU Prague, 2023

Ex Libris illustation stamp for Type Design and Typography studio, UMPRUM Prague, two ferns fighting for the book Krásné Písmo

Brand design and logo for my jewellry brand, typeface Input 2.0 in use, 2020–2024

Brand design and logo for my jewellry brand, typeface Input 2.0 in use, 2020–2023

Brand design and logo for my jewellry brand, typeface Input 2.0 in use, 2020–2024

Lettering OakTree, typeface made within a seminar with studio Burrow at UdK Berlin, RISO, 2023

Collaborative poster/cover for a type specimen with all the students works from experimental type seminar at Udk Berlin. A2 RISO print @drucken3000 Berlin, 2023

Front side of poster in three languages, accompanying Leevi Toija exhibition and artistic project (Constructing spaces of memory), in use my typeface Input 1.0, collaboration w/ Julie Dítětová, A2 offset print, 2023

Back side of poster in three languages, accompanying Leevi Toija exhibition and artistic project (Constructing spaces of memory), in use my typeface Input 1.0, collaboration w/ Julie Dítětová, A2 offset print, 2023

Lettering for Drunken Forest (Opilý les) at Gallery AMU Prague, collaboration Šimon Vlasák, 2023

Poster for exhibition Drunken Forest (Opilý les) at Gallery AMU Prague, collaboration Šimon Vlasák, 2023 (unused)

Poster for exhibtion Warm Inflation at Gallery AMU Prague, collaboration Šimon Vlasák, Žofia Fodorová, 2023

JASNA x Pavla Nečásková, lamps and beads collaboration with event and exhibition in Poco Bar, Vinohrady Prague, 2022

JASNA x Pavla Nečásková, leaflets for event and exhibition in Poco Bar, Vinohrady Prague. RISO print, 2022

Typeface 2.0 in use, PAR36 zine exhibited in PageFive, Prague, design Michal Veltruský, 2024

Typeface Input 1.0 in use for book Drak a ryba (Dragon and fish), published by the National Gallery of Prague, author Marie Lukáčová, design Filip Kraus, Photo credits GHMP, 2023

Input 1.0, Input 2.0 Type Specimen, A4, RISO print, 2023

Typeface Qarel in use, Baedekr catalogue for the Tabook book and publishing festival in Tábor, design Jan Čumlivski & Juraj Horváth, 2024

Typeface Qarel in use, test sheets for offset printing, 2023

Limit exhibition campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022

Cover of Limit type specimen within the campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022

Limit exhibition campaign for Type Design and Typography studio at UMPRUM Prague, collaboration Žofia Kosová, 2022

Změny vnímání (Chenges of perception), experimental author’s book on synesthesia, color, seeing, feeling, silkscreen + digital offset print, 2022

Masterclass lecture events, online banner visuals, organized by TIM FF MUNI, initiated by Wlasta Laura, 2022

Illustration for podcast Vysílač, 2022